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The Threepenny Opera
The Threepenny Opera

The Threepenny Opera

Music
1995, DE
2h 43m

About

Stephan Grossmann

Stephan Grossmann

Jürgen Holtz

Jürgen Holtz

Friedrich Karl Praetorius

Friedrich Karl Praetorius

Carola Regnier

Carola Regnier

Dorothee Hartinger

Dorothee Hartinger

Ingeborg Engelmann

Ingeborg Engelmann

Katherina Lange

Katherina Lange

Axel Böhmert

Axel Böhmert

Wilfried Elste

Wilfried Elste

Michael Lucke

Michael Lucke

Barrie Gavin

Barrie Gavin

Hans Hollmann

Hans Hollmann

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Overview

The Threepenny Opera proclaims itself "an opera for beggars," and it was in fact an attempt both to satirize traditional opera and operetta and to create a new kind of musical theater based on the theories of two young German artists, composer Kurt Weill and poet-playwright Bert Brecht. The show opens with a mock-Baroque overture, a nod to Threepenny's source, The Beggar's Opera, a brilliantly successful parody of Handel's operas written by John Gay in 1728. In a brief prologue following the overture, a shabby figure comes onstage with a barrel organ and launches into a song chronicling the crimes of the notorious bandit and womanizer Macheath, "Mack the Knife." The setting is a fair in Soho (London), just before Queen Victoria's coronation. In this production, Weill champion HK Gruber led the Ensemble Modern in a performance of Weill's complete original score, the first time it had been heard in Germany in many years. This production was broadcast on German television (3sat).

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